The puppet will begin asleep in the centre of the stage. The puppet will be awoken by the arrival of the puppeteers. This is something we learnt in Pervin’s masterclass, waking the puppet up is almost bringing them to life.

This scene is based around the quote ‘to love me is to love a haunted house’. The background of this scene will be a light shadow window in the top right had corner of the back drop. This will be simple and quite large; 4 light boxes arranged as a window. We will haunt this scene by using more light shadows. Manipulating a mirror in front of a light, will enable us to reflect ghostly shapes onto the backdrop around the window. This will be done behind gauge.

This scene will be effectively the beginning of the puppets day.


In this scene the puppet will be awakening, attempting to go about it’s normal day. The scene is designed to portray how difficult it can be for a person struggling with mental health issues to get up, how simple tasks for everyone else can be huge for them.

The puppets movements will be slow and well thought out, in order to show the struggle. Having the puppet make quite inward movements enable the audience to read its emotions as sad and anxious.

In this scene the background will change to a shadow of a graveyard to respond to the section;

‘I have a cemetery in my backyard,

and in my front yard,

and in my bedroom.’ 


The puppet begins this scene by walking through the cemetery, that features in the previous scene. It then begins to run, as if it has been scared.

Panic is a stubborn phantom,

she will grab hold of me

and not let go for months- 

this is the part of the story

where everyone is telling you to run.

I think that here the phantom is the thing that scares the puppet, spooks it into running. As a group we are considering including some sort of shadow ‘panic’. The idea so far is that we have a small cut out figure that we put in front of the light, possibly moving so that it enlarges as the puppet runs.


The puppet stands and acts almost skeletal.

My anxiety is a camera,

that shows everyone I love as bones.’

Ideally we would like another puppet to be back stage. We would shine a light on this puppet to show a shadow of an almost skeletal form on the backdrop. Here the puppet on stage will have a breakdown and slump to the floor as if it was a pile of bones.


This is the scene designed to be the ‘up’ point of the characters day, the happy part. All people who suffer from anxiety don’t spend the entire town sad, they have happy points too. In the case of Brenna her happy times are with her love that she mentions a lot.

so we turn the music up

and we dance to Miles Davis.’

Here the puppet begins to dance around the stage, almost as if they are dancing with a non existence person. In the background, the window appears again, but this time with dancing puppet figures as well. This helps to suggest that the dancing with this ‘love’ is just a memory? it is not a constant in her life?


Scene 5 leads well into this scene.


this love will not cure me’

As if to say this ‘love’ is happy and great and it brings her up for a period of time, but her anxiety can not be taken from her.

Here the puppet reaches up into the corner, it attempts to grab a shadow hand that also appears. Unfortunately for this puppet the shadow hand is to high and to far away.


To love me is to love a haunted house,

its fun to visit once year,

but no one wants to live there’

The puppet fall asleep again, the opposite of the first scene. The idea is to symbolise the fact that mental health is a cycle, one moment you are happy and one moment you are right back down again.


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